by Tony Dayoub
Sorry I've been scarce, but I've been contending with the nastiest cold, plowing through end-of-the-year screeners and some voluminous Blu-ray gift sets, all while caring for our youngest son as we prepare for a vacation. Before we part ways for the Thanksgiving holiday, however, to follow up on the ones reviewed here last week (and in anticipation of Criterion's amazing 70s-era set "America Lost and Found: The BBS Story", which is so thick with supplements I haven't yet gotten past disc 2 of this 6-disc set since receiving it this past Friday; I'll make it up to you with an in-depth look into the stunning package soon) I wanted to fill you in on another wonderful Blu-ray package well worth your time, Avatar Extended Collector's Edition Blu-ray.
Tuesday, November 23, 2010
Wednesday, November 17, 2010
Blu-ray Review: Charles Laughton x Two - Mutiny on the Bounty (1935) and The Night of the Hunter (1955)
by Tony Dayoub
This week brings us a few wonderful Blu-ray releases, two of which feature Charles Laughton at his best. One stars the portly British actor in his most iconic role. The other showcases his filmmaking talents and might be the most essential release of 2010. Let's start with that one.
This week brings us a few wonderful Blu-ray releases, two of which feature Charles Laughton at his best. One stars the portly British actor in his most iconic role. The other showcases his filmmaking talents and might be the most essential release of 2010. Let's start with that one.
Friday, November 12, 2010
Opening Today: Unstoppable (2010) and Tamara Drewe
by Tony Dayoub
Looking for a couple of movies to help you take your mind off the oncoming stressful holiday season? Well, this weekend is your best bet to find such relief with two well executed trifles.
Looking for a couple of movies to help you take your mind off the oncoming stressful holiday season? Well, this weekend is your best bet to find such relief with two well executed trifles.
Thursday, November 11, 2010
Movie Review: Never Let Me Go (2010)
by Tony Dayoub
Woefully underrepresented in the current film conversation, I believe Never Let Me Go will only grow in stature over the next few years. I saw this mournful film (based on a novel by Kazuo Ishiguro) last week, yet still find it haunting me in a way that brought to mind one of my favorite movies of the last ten years, Children of Men (2006). That's curious because while Children of Men presents a dystopic future, Never Let Me Go gives us a utopic past, or at least an alternate past.
Woefully underrepresented in the current film conversation, I believe Never Let Me Go will only grow in stature over the next few years. I saw this mournful film (based on a novel by Kazuo Ishiguro) last week, yet still find it haunting me in a way that brought to mind one of my favorite movies of the last ten years, Children of Men (2006). That's curious because while Children of Men presents a dystopic future, Never Let Me Go gives us a utopic past, or at least an alternate past.
Tuesday, November 9, 2010
The Movies...They Play Better in My Head Than They Do Onscreen
by Tony Dayoub
So last night I had quite a vivid dream, which is strange since I rarely recall my dreams at all. As they usually do this one took the form of a movie, one in which my point of view is in the middle of all the action but with a sort of detached omniscience allowing me to see multiple angles... think of an action movie if it were not just in 3D but as immersive as Star Trek's holodeck, yet none of the participants can see you. Get it?
So last night I had quite a vivid dream, which is strange since I rarely recall my dreams at all. As they usually do this one took the form of a movie, one in which my point of view is in the middle of all the action but with a sort of detached omniscience allowing me to see multiple angles... think of an action movie if it were not just in 3D but as immersive as Star Trek's holodeck, yet none of the participants can see you. Get it?
Saturday, November 6, 2010
Two Down, One to Go: Must-Read Recommendations
by Tony Dayoub
I don't discuss it enough here, but there are three film critics who have held the most sway over me since I was young: Danny Peary, best known for his Cult Movies books, whose long out-of-print Guide for the Film Fanatic (1986) is still an essential tome to keep on the nightstand; Glenn Kenny (now a friend), who I grew up reading in the now defunct Premiere magazine, writes for his own blog Some Came Running, and has just recently become chief film critic for MSN Movies; the last is a gentleman who edited Film Comment during what I consider to be its most fascinating period, 1990 through 2000, Richard T. Jameson.
I don't discuss it enough here, but there are three film critics who have held the most sway over me since I was young: Danny Peary, best known for his Cult Movies books, whose long out-of-print Guide for the Film Fanatic (1986) is still an essential tome to keep on the nightstand; Glenn Kenny (now a friend), who I grew up reading in the now defunct Premiere magazine, writes for his own blog Some Came Running, and has just recently become chief film critic for MSN Movies; the last is a gentleman who edited Film Comment during what I consider to be its most fascinating period, 1990 through 2000, Richard T. Jameson.
Wednesday, November 3, 2010
Movie Review: Fair Game (2010)
by Tony Dayoub
Any depressed Democrats still weepy over yesterday's election results by week's end can get a lift watching Doug Liman's liberal feel-good movie, Fair Game, which opens this Friday. While nowhere near a propaganda piece as a film I reviewed back in March, Green Zone (coincidentally directed by Liman's successor in the Bourne series, Paul Greengrass), it still has tinges of simplistic "Leftie good, Rightie bad" sentiments which do a disservice to what, based on the facts alone, should be a rather simple open-and-shut indictment of the Bush Administration and the cloud of malfeasance which hung over their entry into the Iraq War.
Any depressed Democrats still weepy over yesterday's election results by week's end can get a lift watching Doug Liman's liberal feel-good movie, Fair Game, which opens this Friday. While nowhere near a propaganda piece as a film I reviewed back in March, Green Zone (coincidentally directed by Liman's successor in the Bourne series, Paul Greengrass), it still has tinges of simplistic "Leftie good, Rightie bad" sentiments which do a disservice to what, based on the facts alone, should be a rather simple open-and-shut indictment of the Bush Administration and the cloud of malfeasance which hung over their entry into the Iraq War.
Monday, November 1, 2010
Random Sample: Legends of the Super Heroes (1978), Mad Max (1979) on Blu, and Hotel Terminus (1988)
by Tony Dayoub
As the holiday season approaches, demands on this writer are growing. The holiday season arrives soon with its requisite family vacations, end-of-year awards screeners and best-of lists, not to mention major new home releases timed to take advantage of gift-giving celebrations. So I'll clear the deck today with some thoughts on a few recent releases I caught up with at home this past week.
As the holiday season approaches, demands on this writer are growing. The holiday season arrives soon with its requisite family vacations, end-of-year awards screeners and best-of lists, not to mention major new home releases timed to take advantage of gift-giving celebrations. So I'll clear the deck today with some thoughts on a few recent releases I caught up with at home this past week.
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